Son y\u0131llarda \u00f6rg\u00fctlenme ve d\u00fc\u015f\u00fcnceyi ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fc ba\u015fta olmak \u00fczere, bas\u0131m-yay\u0131n ve sanat alan\u0131nda \u00e7ok say\u0131da sans\u00fcr uygulamas\u0131 ya\u015fanm\u0131\u015ft\u0131r. Son bir hafta i\u00e7inde ya\u015fanan geli\u015fmeler, iktidar\u0131n sans\u00fcrc\u00fc ve yasaklay\u0131c\u0131 y\u00f6n\u00fcn\u00fc bir kez daha kar\u015f\u0131m\u0131za \u00e7\u0131karm\u0131\u015ft\u0131r.
\u00d6nce Milli E\u011fitim Bakanl\u0131\u011f\u0131\u2019na ba\u011fl\u0131 okullarda okutulan 10. s\u0131n\u0131fa y\u00f6nelik edebiyat kitab\u0131nda Yunus Emre\u2019nin \u201cA\u015fk\u0131n Ald\u0131 Benden Beni Bana Seni Gerek Seni\u201d isimli \u015fiirinden bir d\u00f6rtl\u00fc\u011f\u00fcn Talim Terbiye Kurulu taraf\u0131ndan \u201csak\u0131ncal\u0131\u201d bulunarak resmen sans\u00fcr etti\u011fi ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Ard\u0131ndan Devlet G\u00fczel Sanatlar Galerisi\u2019nde ba\u015flayan \u201cArtn\u00fcyet\u201d ba\u015fl\u0131kl\u0131 sergiyi 17 Aral\u0131k 2012 Pazartesi g\u00fcn\u00fc \u00f6\u011fle saatlerinde sergiyi gezmeye gelen ziyaret\u00e7iler n\u00fc resimlerin yerde ve ters \u00e7evrilmi\u015f oldu\u011funu g\u00f6rm\u00fc\u015flerdir. Galeri yetkilisine bu uygulaman\u0131n nedenini soruldu\u011funda yetkili, \u201cyukar\u0131dan gelen bir telefonla\u201d resimleri indirmek zorunda kald\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015ftir. Bu iki olay, T\u00fcrkiye\u2019nin 21. y\u00fczy\u0131lda nas\u0131l bir zihniyet ile y\u00f6netildi\u011finin g\u00f6r\u00fclmesi a\u00e7\u0131s\u0131ndan dikkat \u00e7ekicidir.
Yapt\u0131klar\u0131 her icraat ile \u00f6ncelikle kendisi gibi d\u00fc\u015f\u00fcnmeyenleri yok sayanlar, n\u00fc tablolar\u0131 m\u00fcstehcen bulup duvardan indirip ters \u00e7eviren, Yunus Emre gibi b\u00fcy\u00fck bir k\u00fclt\u00fcr de\u011ferinin s\u00f6zlerini bile sans\u00fcrleyenler bu cesareti nereden ve kimden almaktad\u0131rlar? \u00d6mer Hayyam\u2019\u0131n rubaisini Twitter\u2019da payla\u015fan Faz\u0131l Say\u2019\u0131n \u201cdine hakaretten\u201d yarg\u0131lanmas\u0131, Yazar \u0130skender Pala, Ne\u015fet Erta\u015f\u2019\u0131n t\u00fcrk\u00fclerinin bir k\u0131sm\u0131nda \u2018m\u00fcstehcenlik\u2019 unsurlar\u0131 yer ald\u0131\u011f\u0131 iddias\u0131yla o t\u00fcrk\u00fclere yasak getirilmesini istemesi, Yunus Emre\u2019ye okul kitaplar\u0131nda sans\u00fcr uygulanmas\u0131, n\u00fc resimlerde bile m\u00fcstehcenlik unsuru bulunmas\u0131 neresinden bak\u0131lsa ak\u0131l ve mant\u0131k s\u0131n\u0131rlar\u0131n\u0131 a\u015f\u0131r\u0131 zorlayan uygulamalar olarak kar\u015f\u0131m\u0131za \u00e7\u0131kmaktad\u0131r.
AKP iktidar\u0131n\u0131n g\u00fcn\u00fcm\u00fcze kadar g\u00f6sterdi\u011fi, ancak son y\u0131llarda daha da belirginle\u015fen sans\u00fcrc\u00fc prati\u011fi, yasak\u00e7\u0131l\u0131\u011f\u0131yla \u00fcnl\u00fc II. Abd\u00fclhamit ve onun \u201cistibdat devri\u201dni bile g\u00f6lgede b\u0131rakm\u0131\u015ft\u0131r. Gazetelerde \u00e7\u0131kan karikat\u00fcrlere, ele\u015ftiri yaz\u0131lar\u0131na, tiyatro oyunlar\u0131na bile tahamm\u00fcl edemeyerek tazminat davas\u0131 a\u00e7an bir zihniyetin, ders kitaplar\u0131nda Yunus Emre\u2019yi ve resimleri sans\u00fcrlemesi, AKP iktidar\u0131n\u0131n II. Abd\u00fclhamid d\u00f6nemini bile geride b\u0131rakan bir bask\u0131 d\u00fczeni olu\u015fturmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.\u015eimdi de \u0130zmir \u0130l Milli E\u011fitim M\u00fcd\u00fcrl\u00fc\u011f\u00fc Kitaplar\u0131 \u0130nceleme ve De\u011ferlendirme Komisyonu, \u201cahlaki olmayan b\u00f6l\u00fcmler i\u00e7erdi\u011fi\u201d gerek\u00e7esiyle John Steinbeck\u2019in \u201cFareler ve \u0130nsanlar\u201d adl\u0131 kitab\u0131n\u0131n baz\u0131 b\u00f6l\u00fcmlerini sak\u0131ncal\u0131 buldu.
Bah\u00e7elievler’deki Behiye Doktor Nevhiz I\u015f\u0131l \u0130lk\u00f6\u011fretim Okulu’nda g\u00f6rev yapan 7. s\u0131n\u0131f T\u00fcrk\u00e7e \u00f6\u011fretmenine “\u015eeker Portakal\u0131” kitab\u0131n\u0131 okuttu\u011fu i\u00e7in soru\u015fturma a\u00e7\u0131ld\u0131.
T\u00fcm d\u00fcnyada \u00e7ocuklar\u0131n ilgiyle okudu\u011fu Brezilyal\u0131 yazar Jose Mauro de Vasconcelos’un \u015eeker Portakal\u0131 kitab\u0131 Milli E\u011fitim Bakanl\u0131\u011f\u0131’n\u0131n (MEB) \u0130lk\u00f6\u011fretim okullar\u0131nda okutulacak 100 Temel Eseri aras\u0131nda yer al\u0131yor. 1968 tarihli roman, fakir bir aile \u00e7ocu\u011fu olan Zeze’nin ya\u015fad\u0131klar\u0131n\u0131 anlat\u0131yor.Son d\u00f6nemde belirgin bir \u015fekilde artan bask\u0131lara, sans\u00fcr uygulamalar\u0131na art\u0131k son verilmeli, ba\u015fta \u00f6rg\u00fctlenme ve d\u00fc\u015f\u00fcnceyi ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fc olmak \u00fczere, sanata ve sanat\u00e7\u0131lar\u0131m\u0131za y\u00f6nelik her t\u00fcrl\u00fc bask\u0131ya ve yasak\u00e7\u0131 m\u00fcdahaleye derhal son verilmelidir.<\/p>\n
K\u00fclt\u00fcr Sanat Sen Merkez Y\u00f6netim Kurulu<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Son y\u0131llarda \u00f6rg\u00fctlenme ve d\u00fc\u015f\u00fcnceyi ifade \u00f6zg\u00fcrl\u00fc\u011f\u00fc ba\u015fta olmak \u00fczere, bas\u0131m-yay\u0131n ve sanat alan\u0131nda \u00e7ok say\u0131da sans\u00fcr uygulamas\u0131 ya\u015fanm\u0131\u015ft\u0131r. Son bir hafta i\u00e7inde ya\u015fanan geli\u015fmeler, iktidar\u0131n sans\u00fcrc\u00fc ve yasaklay\u0131c\u0131 y\u00f6n\u00fcn\u00fc bir kez daha kar\u015f\u0131m\u0131za \u00e7\u0131karm\u0131\u015ft\u0131r. \u00d6nce Milli E\u011fitim Bakanl\u0131\u011f\u0131\u2019na ba\u011fl\u0131 okullarda okutulan 10. s\u0131n\u0131fa y\u00f6nelik edebiyat kitab\u0131nda Yunus Emre\u2019nin \u201cA\u015fk\u0131n Ald\u0131 Benden Beni Bana Seni […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[524],"_links":{"self":[{"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/posts\/10250"}],"collection":[{"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/comments?post=10250"}],"version-history":[{"count":0,"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/posts\/10250\/revisions"}],"wp:attachment":[{"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/media?parent=10250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/categories?post=10250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kultursanatsen.org.tr\/portal\/wp-json\/wp\/v2\/tags?post=10250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}